Obscene Mujras have destroyed Lahore’s commercial theatre

Lahore was renowned for its experimental theatre and led the country’s art scene with its sizeable creed of artists, writers and directors. And, whilst that parallel culture of serious theatre is present, it has been sidelined by a crass and commercial brand of entertainment that was earlier popular for the lewd Punjabi jokes.However, the newest brand consolidated during the 1990s has integrated the old Mujra form albeit in its destroyed shape. What has been the effect of this trend: women, children and families are not found in theatre halls. The larger purpose of theatre as an inclusive form of entertainment, interaction and participation is all decaying. Such is the impact of greed and commercialism. Commercial theatre is now a preserve for the oversexed, possibly under-laid male Lahoris; and rich men from the outskirts come to get a visual-lay to be supplemented by a real one besides the grand old mosque.

Mohammad Fawad Riaz